I checked out Julie Powell’s book Julie & Julia. Am also current reading President George W. Bush’s Decision Points and am about halfway through it. Also placed an order at the library for Julia Child’s book My Life in France.
Came very close to checking out a book on my current reading list: Karen Robards’ Shattered. I love what I have read about this book, but a very quick skim reveals it looks like it might be along the lines of a trashy romance novel. Will try it out in a week or so to see how it works. Besides, I’m curious to see if there is a way to write love scenes in a tasteful way or if I should give only what is absolutely necessary for the plot. I wonder because one current project includes a man snared into a trap through the oldest trick in the book–a voluptuous woman who happens to be his type; he has gone without female companionship for some time and foolishly gives in.
So much reading and writing to do…
Richard Zowie is a writer who knows you have to read a lot to develop into a good writer. Post comments here or e-mail them to email@example.com.
In my fiction writing, I am working on two projects: a novel called Randy and Rhonda (a Christian romance that has some frank looks at relationships and sex and how some Christians prefer isolation over insulation) and a thriller/suspense short story called Garth, Texas.
In both, I hit snags where I didn’t know what to write. Especially in the novel, since part of it deals with a segment of America that I know very little about (I’d rather not say what at this point, except that a friend is trying to set things up for me to interview someone from there). So, what to do?
Write out of sequence.
A friend who studied broadcasting at college told me that movies are very seldom shot in sequence. Sometimes the very first scene to be filmed is one of the movie’s final scenes. In My Big Fat Greek Wedding, the opening scene where they drive to the restaurant in the morning was one of the very last filmed. And, I understand that the opening rig scene in Armageddon was actually the final scene filmed.
Why not do the same with creative writing?
So, I do this in the novel and will probably do so in the short story: if you hit a snag in the story, skip over the scene and write later scenes. Perhaps somewhere down the road the creative juices will flow and you can fill in the gaps.
Richard Zowie is a writer. Post comments here or e-mail them to firstname.lastname@example.org.